An October Update

After a brief stretch of unseasonably warm weather in late September, West Michigan has unambiguously slipped into autumn. I look out my home-office window—the air is nice, with that charming mix of cool and moist that suggests “tailgate season”—and I see more and more orange and red amidst the green. Squirrels scamper with earnestness. Bugs are vanishing. Things slow down.

“Winter is coming,” I’m told. And I hope it does. I’m excited for this year’s holiday season. In my head, it kicks off with my mid-September birthday, which marks for me the end of summer (Labor Day doesn’t do it for me) and the beginning of “winter Lent.” Then October sees the tree transitions and sweater weather and writing prep that culminates in Halloween—holiday season kickoff!—and the beginning of National Novel Writing Month. Thanksgiving re-grounds me with family and marks a pivot point for NaNo. And as soon as the mad-dash of writing is over, I pivot to Christmas and then take two or three weeks off from the day job to recharge, etc. It’s a great time of the year, even in years when I’m not “feelin’ it.”

So today seems like as good of a time as any to offer some updates, offered as usual in no particular order, but as always under the watchful gaze of my feline overlords.

VLO’s Summer Vacation. Tony and I took a half-vacation (i.e., work slowdown) in late July and throughout August; as of September, we were back to a normal weekly podcasting schedule. The upside to VLO now rolling in its sixth year is that we’re stable and mature. And, of course, that we have thousands of downloaders and hundreds of engaged listeners on Twitter, Facebook, the blog, etc. Given that we don’t monetize this program—it’s a hobby and labor of love—the response by people all across the world has been fantastic. And for almost all of the shows for September and October, our alcohol segments came to us free of charge courtesy of gifts from our listeners. It’s a ton of work, but it’s a joyful thing.

NAHQ @ Cincinnati. On my birthday, I flew to Cincinnati for the back-to-back board meeting and educational conference for the National Association for Healthcare Quality. It was a professionally rewarding experience. Being a board member means that the conference is tightly scheduled for us. Six days, five nights. But what made it personally rewarding was the deep camaraderie among the current members of the board and the great cadre of seasoned, senior volunteers who work with us. NAHQ is about to go into a very tight period where the organization pivots from an association-management model (i.e., a separate company “manages” the association, hires the staff, provides the office, etc.) to a fully stand-alone model where the association itself handles all its own operations, leases its own offices, hires its own team, stands up its own I.T., etc. This is a huge deal. We’re bigger than most groups that make the independent pivot and we have only about a quarter of the time the average group enjoys to make the move … but our staff are awesome (almost all are leaving the management company to be hired by NAHQ outright) and our finances are rock-solid. It’ll be a heavy lift, but it’ll be done with finesse and—we expect—utterly transparently to our thousands of dues-paying members.

Jot That Down. I’m pleased to share that Jot That Down: Encouraging Essays for New Writers has been successfully released. I worked with A. L. Rogers, the book’s editor, to get it produced in print. It’s a great resource for new/aspiring writers, covering a variety of topics and genres in an easy-to-digest manner. Currently available for purchase for $14.95 from Caffeinated Press or by special order from your local independent bookseller.

Other CafPress books. And speaking of Jot That Down, I’ve wrapped up Isle Royale from the AIR, an anthology edited by Phillip Sterling that collects stories, poems and art from former artists-in-residence at Isle Royale National Park. I’m also in the production phase of Brewed Awakenings 3, our annual anthology, and Off the Wall: How Art Speaks, a collection of poetry and art co-developed by Elizabeth Kerlikowske and Mary Hatch. And final edits are due from the advance review copy for Ladri, a novel by Andrea Albright. Barring disaster, each of these books should be in-scope for a boost event we’ll host at the end of the month. Two more novels await this year—Kim Bento’s Surviving the Lynch Mob and Barbara David’s A Tale of Therese—plus Jennifer Morrison’s local-history book The Open Mausoleum Door, then I’m caught up with production across all of our lines of business.

NaNoWriMo. NaNo’s coming, so that means that I’ve had to (a) re-curate my author page and (b) think about what I’m going to work on. I think my technical focus will be on sharpening conflict and using that conflict to be the primary driver of the plot (instead of my usual, which is to let the plot drive the conflict). The story itself will be another bite at a Jordan Sanders murder mystery because I’m well-acquainted with the characters in this universe. But I still have three weeks to nail down my idea.

Grand River Writing Tribe. The Tribe has been together for 10 months now, and it’s been going gangbusters. People are participating. Getting published. Supporting each other. Without a regular, focused critique group, a writer stands at a significant disadvantage. GRWT meets twice monthly for three hours, combining critiques, focused education and dedicated writing time. And we still welcome potential new applicants!

Juicing. So this happened. On October 1, a scant week ago, I began a significant diet program. I had purchased a juicer and accessories. For several days, I had nothing but fruit and vegetable juice. Then, on the advice of clinicians at work, I’ve migrated to a part-juice, part-good-food regimen. So it’s been juices with a little bit of, e.g., shredded chicken or sushi or carrot/celery sticks. The thing is, I’m avoiding all processed sugars, alcohol, refined carbs, etc. Not even doing my traditional Lean Cuisines. It’s either juice I prepared myself, or plain shredded chicken or sashimi without the rice. (Tonight, I’m making a salmon fillet with asparagus.) Already down five pounds in a week. And although the diet part isn’t hard—I really like what I’m consuming—what’s been more interesting is the level of planning I’ve had to do. Actually preparing a shopping list (“I need this many swiss chard leaves, this many pears, this many ounces of blueberries …”) and planning my evening schedule around my dinner schedule has been both illustrative and challenging. And now that I bought an elliptical, which just got set up in my living room—whoa! Credit to my friend Tony who did a 30-day juice diet in May (and lost a ton of weight!) and who remains incredibly supportive even when I mock him unfairly for becoming a vegan.

The Great Outdoors. Tomorrow, a half-day kayaking trip beckons, with Jen, Brittany and Steve. Next Saturday, I’m doing a day hike on a section of the North Country Trail in the Manistee National Forest.

Home Shopping Spree. With the annual management bonus we received at the day job, I was able to pay off some bills, pay other bills early and invest a bit in both Caffeinated Press and my own home front. Of note, with the mid-summer swap of my bedroom and my office, I had to buy all new bedroom furniture. That’s done: Dresser, headboard, vanity with bench. Then some odds-and-ends, including the aforementioned elliptical, some knickknacks like candles and new lamps, a full-length mirror and a stool for the bathroom, and a replacement computer. My “normal” all-in-one home computer is very old and has been intermittently hostile, so it’s been retired to be a dedicated writing machine at my dedicated writing desk. The new machine—the first upgradeable tower PC I’ve owned since, I think, 2005—is an iBuyPower box with a quad-core i7-7700 processor, 16 GB of RAM and a 3GB GPU (GeForce GTX 1060). In all, a decent if not bleeding-edge machine. The only real hesitation I had with it is that it appears to have been designed by a 13-year-old boy, with proliferating LED lights (that I covered with electrical tape!) and a keyboard that looked like a l337 toddler toy. Picked up a 27-inch monitor for it; almost got two but I’m glad I didn’t because with it and the 17-inch aux monitor I already had, I’m literally out of room on my desk. I literally cannot fit two 27-inch monitors. Anyway, Duane, if you see this: “SIXTEEN GIGS OF RAM.”

Great Lakes Commonwealth of Letters. It’s an exciting time at GLCL. The board has been discussing a very, very robust programming schedule for 2018 as well as rebranding and an expansion of the board. A ton of work, to be sure, but I think it’ll help focus the organization and promote local literary citizenship. More to come.

All for now. May your autumn Winter Lent warm your soul even if it chills your toes!

A Literary Life

The last few weeks as a “literary dude” have offered no end of insight and opportunity.

First, I’m honored to announce that I’ve joined the board of directors of the Great Lakes Commonwealth of Letters. The GLCL is a non-profit writing center dedicated to encouraging, promoting, and celebrating the craft of writing, the endeavors of writers, and the importance of the literary arts in the communities of the Great Lakes region. Founded in 2013 and headquartered in the heart of beautiful and historic Grand Rapids, Michigan, GLCL offers reading series, craft talks, classes and workshops, Great Lakes author book launches, teen and young adult programming, writing contests, consultations with professional regional writers, and much more.

Second, I recently concluded a trip to Kalamazoo-area bookstores coordinated by Deborah Gang, an author/poet with whom Caffeinated Press has contracted for her novel, The Half Life of Everything. Deborah introduced me to the major indie booksellers in the area–Joanna at Bookbug, John at Kazoo Books and Dean at Michigan News. Each visit brought me a valuable new nugget of wisdom about how publishing works from a retailer’s perspective. Not only did I enjoy the chance to visit new-to-me bookstores, but I also filled a few holes in my thinking about the best way to market new titles.

All of this–on top of the recent release of Brewed Awakenings 2 anthology that I edit, plus the contracting with Wipf and Stock for a short essay in Tushnet’s Staying Catholic When You’ve Been Hurt in the Church–makes for a busy but incredibly rewarding fortnight!

Because now we pivot to National Novel Writing Month. Whoa! NaNoWriMo begins on November 1. I’ve already figured out, in broad strokes, what I’m going to do: A literary novel presently titled The Catfish in the Shallows.

The teaser:

Police detectives remain stumped after Noah Thomas is found dead, his mangled body tossed into the Grand River, so the young man’s grandmother hires Jordan Sanders, an effective yet colorful private investigator, to uncover the truth. Sanders takes the case, but the deeper he probes into the intersecting lines of four prominent West Michigan families, the more he discovers that although wealth can obscure a multitude of sins, no family can completely hide all the rot within.

I’m trying something new with this season’s work effort. It’s been my observation through my work as fiction editor of The 3288 Review and series editor of Brewed Awakenings that many authors seem to present stories in a plot-forward way–i.e, they develop a single overarching plot and then build everything else (characters, settings, twists) in service to that major plot. And that’s fine … but it’s not sublime.

With Catfish, I’m aiming for a more baroque experience. The West Michigan setting isn’t intended to be an afterthought, but rather a cultural reality deeply woven into the fabric of the story, with Upper Midwest proclivities shaping the conflict and the logic behind each clue that the main character uncovers. I plan to use lush descriptions and more complex sentence structures (including a Buckleyesque vocabulary) to set the story apart. And although the main plot is a murder mystery, this isn’t a typical detective novel–the search for the killer is, in a sense, a vehicle to advance several deliberately developed subplots that address the animosities that the very rich sometimes feel for one another. The overall feel is intended to be more literary than genre.

We’ll see how this works. As with my previous NaNoWriMo experiences, I use this time to experiment. I learn a lot by doing. I have no idea whether I’ll be satisfied with the output or whether, come December 1, I’ll file it away in the back of the cabinet.

Regardless of the manuscript’s potential legs, the November frenzy will be worth it.